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Agadir (4) Asilah (1) Chefchaouen (1) Essaouira (5) Fes (5) Marrakech (16) Meknès (1) Ouarzazate (12) Rabat (4) Tangier (3) Tetouan (1)
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Tazenakht



Eighty-five kilometres north of Foum Zguid is Tazenakht, a handy stop for a quick bite, coffee, petrol and, yes, carpets. The distinctive local carpets (a mix of flat-weave and thick pile) with their extraordinary zigzagging patterns and bold colour schemes of red, orange and blue, are hung all around town. You can skip the middlemen and browse fixed-price pieces inside the government-run Agence de L'Artisanat, within a walled compound on your right as you enter the town from the south.

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Foum Zguid



Traveling  another 30km from Iriki oasis you will find Foum Zguid. Foum Zguid is a strategic military base, so you may be asked to show your passport here. Downtown is a crossroads with all the necessities: water, petrol, a public phone, restaurants and coffee. As you head north out of town, past the guardhouse, a road east leads to the town's two hotels. The road north is rough, ruined by trucks serving the nearby titanium mines, but the scenery is spectacularly barren.


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Iriki 'oasis



















Exiting Erg Chigaga by 4WD, head north to Ouarzazate or Marrakesh via Foum Zguid. in the road through dunes, you’ll pass the Iriki 'oasis' under an imposing plateau on your right. From here, you’ll spot thirsty birds and gazelles drinking from a vast lake. But look again: ‘Lake Iriki’ is actually a salt pan shimmering in the heat haze, with deceptive silhouettes of poisonous calitropis bushes.

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Assilah























The gorgeous whitewashed resort town of Assilah feels like somewhere on a Greek island, but the tapas and paella on the Spanish menus in the restaurants and the wrought-iron windows on the white houses are but a few reminders that the town was Spanish territory for a long time. Assilah is an easy and hassle-free introduction to Morocco and, with a good selection of budget hotels and restaurants, and a burgeoning art scene, the town has become a favourite stop on the traveller’s trail of the North Atlantic coast.
The town’s mayor lives in the picturesque medina and has vowed to make it as clean as Switzerland. The old medina has been seriously gentrified in the last few years as more and more houses have been bought by affluent Moroccans and Europeans, mainly Spanish. The town is sleepy for most of the year, but in the summer months the population grows from 12,000 to 110,000, when Moroccan families descend here, as elsewhere along the coast. The small town is then completely overrun, the beaches are packed and the touts come out in force. The best time to visit is in spring or autumn when the weather is still pleasant but the crowds are gone.
Assilah has had a turbulent history as a small, but strategic port since it began life as the Carthaginian settlement of Zilis. During the Punic Wars the people backed Carthage, and when the region fell to the Romans, the locals were shipped to Spain and replaced with Iberians. From then on, Assilah was inexorably linked with the Spanish and with their numerous battles for territory.
As Christianity conquered the forces of Islam on the Iberian Peninsula in the 14th and 15th centuries, Assilah felt the knock-on effects. In 1471 the Portuguese sent 477 ships with 30,000 men, captured the port and then built the walls that still surround the medina, a trading post on their famous gold route across Africa. In 1578, King Dom Sebastian of Portugal embarked on an ill-fated crusade from Assilah. He was killed, and Portugal (and its Moroccan possessions) passed into the hands of the Spanish, who remained for a very long time.
Assilah was recaptured by Moulay Ismail in 1691. In the 19th century, continuing piracy prompted Austria and then Spain to send their navies to bombard the town. Its most famous renegade was Er-Raissouli, one of the most colourful bandits ever raised in the wild Rif Mountains. Early in the 20th century, Er-Raissouli used Assilah as his base, becoming the bane of the European powers. Spain made Assilah part of its protectorate from 1911 until 1956.


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Tangier

Always of huge strategic importance at the entrance to the Mediterranean, Tangier is the enthralling gateway to Africa, a tantalising introduction to a culture vastly different from that across the Strait of Gibraltar.
After WWII, Tangier became an International Zone that attracted eccentric foreigners, artists, spies and hippies. The city fell into neglect and dissolution, gaining a dismal reputation thanks to the sleaze and hustles that beset every arrival. But now the white city has turned over a new leaf, and is looking to the future with renewed vigour.
With the arrival of the new monarch in 1999 and his forward-thinking ideas about commerce and tourism, suddenly the community woke up to the potential of this great city. There’s a spanking new port of enormous proportions, a new business district and a revamped airport. Buildings have been renovated, beaches cleaned up, hustlers chivvied off the streets, there’s an explosion of cultural activities and now some great places to stay and excellent restaurants.
Tangier is divided into an old walled city, or medina, a nest of medieval alleyways, and a new, modern city, the ville nouvelle. The medina contains a kasbah, the walled fortress of the sultan, which forms its western corner; the Petit Socco (also known as Socco Chico, and officially as Pl Souq ad-Dakhil), an historic plaza in the centre; and of course, the souqs, or markets. The much more impressive Grand Socco (officially renamed Pl du 9 Avril 1947), a pleasant square with a central fountain, is the hinge between the two sides of town, and the postcard entrance to the medina.

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St Agatha’s Crypt & Catacombs



St Agatha’s Crypt & Catacombs are interesting as they contain a series of remarkable frescoes dating from the 12th to the 15th centuries. According to legend, these catacombs were the hiding place of St Agatha when she fled Sicily. Tours of the catacombs are conducted regularly and explain the history of the site and point out features of the artwork. Back at ground level is a quirky little museum containing everything from fossils and minerals to coins, church vestments and Etruscan, Roman and Egyptian artefacts. Note that from October to June the complex is closed between noon and 1pm.


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Tower Hassan

Towering above Oued Bou Regreg, and surrounded by well-tended gardens, is Rabat’s most famous landmark. The Almohads’ most ambitious project would have been the second-largest mosque of its time, after Samarra in Iraq, but Sultan Yacoub al-Mansour died before it was finished. He intended a 60m-tall minaret, but the tower was abandoned at 44m. The mosque was destroyed by an earthquake in 1755, and today only a forest of shattered pillars testifies to the grandiosity of Al-Mansour’s plans. The tower is built to the same design as the Giralda in Seville, and the Koutoubia in Marrakesh.

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Kasbah des Oudayas

This occupies the oldest part of the city, the site of the original ribat, and commands powerful views over the river and ocean from its cliff-top perch. The kasbah is predominately residential and the narrow streets are lined with whitewashed houses - most of which were built by Muslim refugees from Spain. It's a tranquil and picturesque place to wander and there's no need for a guide. Ignore anyone who advises you that the kasbah is 'forbidden'.
The most dramatic entry to the kasbah is through the enormous Almohad gate of Bab Oudaia, built in 1195. Its location, facing the heart of the city and just outside the original palace, made it more ceremonial than defensive and the gateway is elaborately decorated with a series of carved arches. Inside the gateway, the main street, Rue Jamaa, runs straight through the kasbah. About 200m ahead on the left is the oldest mosque in Rabat, built in the 12th century and restored in the 18th.

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Chellah


Abandoned, crumbling and overgrown, the old Roman city of Sala Colonia and the Merenid necropolis of Chellah is one of Rabat’s most evocative sights. The Phoenicians were the first to settle on the grassy slopes above the river, but the town grew when the Romans took control in about AD 40. The city was abandoned in 1154 in favour of Salé, but in the 14th century the Merenid sultan Abou al-Hassan Ali built a necropolis on top of the Roman site and surrounded it with the towers and defensive wall that stand today.
Overgrown by fruit trees and wild flowers, it is an atmospheric place to roam around. From the main gate, a path heads down through fragrant fig, olive and orange trees to a viewing platform that overlooks the ruins of the Roman city. Making out the structures takes a bit of imagination, but the mystery is part of the magic of this place. A path leads through the ruins of the triple-arched entrance known as the Arc de Triomphe, past the Jupiter Temple (to the left) and to the forum (at the end of the main road), while another goes to the octagonal Pool of the Nymph, part of the Roman system of water distribution.
Far easier to discern are the remains of the Islamic complex , with its elegant minaret now topped by a stork’s nest. An incredible colony of storks has taken over the ruins, lording over the site from their tree-top nests. If you visit in spring, the clacking bills of mating pairs is a wonderful soundtrack to a visit.
Near the ruined minaret is the tomb of Abou al-Hassan Ali and his wife, complete with ornate zellij ornamentation. A small medersa is nearby, where the remains of pillars, students’ cells and scalloped pools – as well as the blocked-off mihrab (prayer niche) – are still discernable. On leaving the mosque, the path passes the tombs of several saints on the far right. To the left, the murky waters of a walled pool (marked ‘bassin aux anguilles’ ) still attract women who believe that feeding boiled eggs to the eels here brings fertility and easy childbirth.

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Museum of the Amazigh Culture

This small museum has an excellent display of Berber artefacts, especially strong on jewellery. Inspired by Marrakesh’s Maison Tiskiwin, it’s a great place to learn about the traditional life and culture of the Berber people of the region.

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Maison de la Photographie


When art collectors seek the same works, bidding wars ensue – but when Parisian Patrick Menac’h and Marrakshi Hamid Mergani realised they were both collecting vintage Moroccan photography, they decided to open a Marrakesh gallery to show their collections in their original context.
Together the collectors ‘repatriated’ 4500 photos, 2000 glass negatives and 80 documents dating from 1870 to 1950; select works on view here fill three floors, organised by region and theme. Fascinating, well-documented works include a 1907 Djemaa el-Fna vista, a 1920 photo of Ali ben Youssef Medersa with students, and a rare, full-colour 1957 documentary shot in Morocco. Most works are editioned prints from original negatives, and available for sale.
Don’t miss the panoramic terrace for coffee or one of Marrakesh’s best lunch deals: a fragrant chicken tajine with preserved lemon for Dh35. If you’re heading to Ourika Valley, save your ticket for free admission to the Ecomusée Berbere.



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Museum of Marrakech

Maybe the rumours are true of a curse on the Mnebhi Palace, now home to Musée de Marrakech. Its low walls and light-filled inner courtyard left no place to hide for Mehdi Mnebhi, defence minister during Sultan Moulay Abdelaziz’s troubled 1894–1908 reign. While Minister Mnebhi was away receiving a medal from Queen Victoria, sneaky England conspired with France and Spain to colonise North Africa. In Mnebhi’s absence, autocrat Pasha Glaoui filched his palace – but after independence, it was seized by the state. The palace became Marrakesh’s first girls’ school in 1965, but upkeep proved a problem.
The palace’s fortunes turned around in 1997 with restoration by the Omar Benjelloun Foundation. Traditional arts displays include Rabati embroidery, inlaid daggers and Fassi pottery, plus displays of historic photos in the original hammam and variable contemporary art in the former kitchen. Outside, there’s a courtyard cafe serving powerful espresso, and a small bookshop.


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Mellah


South of Bahia Palace is the historic home of Marrakesh’s Jewish community. Most Jewish families moved away in the 1960s, but the mellah remains notable for tall mudbrick homes along single-file streets and cross-alley gossip through wrought-iron mellah balconies. Local guides may usher you into the local synagogue , and the miaâra , or Jewish cemetery, where the gatekeeper admits visitors paying respects to whitewashed tombs topped with rocks for remembrance (Dh10 tip expected).

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Batha Museum

Housed in a wonderful 19th-century summer palace, converted to a museum in 1916, the Batha Museum houses an excellent collection of traditional Moroccan arts and crafts. Historical and artistic artefacts include fine woodcarving, zellij and sculpted plaster, much of it from the city’s ruined or decaying medersas . It also has some fine Fassi embroidery, colourful Berber carpets and antique instruments.
The highlight of the museum is the superb ceramic collection dating from the 14th century to the present. These are some fantastic examples of the famous blue pottery of Fez. The cobalt glaze responsible for the colour is developed from a special process discovered in the 10th century.
The museum’s Andalucian-style garden offers temporary respite from the bustle and noise of the medina, and the spreading holm oaks provide a backdrop for the open-air concerts the museum hosts during the Sacred Music and Sufi Culture festivals.

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Artisanal School

Just outside Bab el-Okla is the best artisan centre in northern Morocco. This is a fascinating opportunity to see masters teaching apprentices traditional arts, including ornamental woodwork, silk costumes, carved plaster, intricate mosaics and decorative rifles. A fantastic central treasury holds the best of the best – don’t miss the ceiling. Staff will open it upon request. The building itself is of interest, set around a large courtyard, with fine doors upstairs.


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Koubbat as-Sufara’























South of Bab el-Mansour lies the mechouar (parade ground), now known as Place Lalla Aouda, where Moulay Ismail inspected his famed Black Guard. After bringing 16,000 slaves from sub-Saharan Africa, Moulay Ismail guaranteed the continued existence of his elite units by providing the soldiers with women and raising their offspring for service in the guard. By the time of his death, the Black Guard had expanded tenfold. Its successes were many, ranging from quelling internal rebellions, to chasing European powers out of northern Morocco, to disposing of the Ottoman Turk threat from Algeria.
Following the road around to the right, you’ll find an expanse of grass and a small building, the Koubbat as-Sufara’, once the reception hall for foreign ambassadors. Beside the entrance, you will notice the shafts that descend into a vast crypt. This dark and slightly spooky network of rooms was used for food storage, although tour guides will delight in recounting the (erroneous) story that it was used as a dungeon for the Christian slaves who provided labour for Moulay Ismail’s building spree. Bring a torch.


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Grand Socco























The Grand Socco is the romantic entrance to the medina, a large, sloping, palm-ringed plaza with a central fountain that stands before the keyhole gate Bab Fass. Once a major market, its cobblestone circle is now the end of the line for taxis, the point at which the modern streets narrow into the past. For the best ground-floor view, climb the steps at the highest point on the circle, across from the large tan building (the police station), to what locals simply call La Terrasse . This is what you came for, one of those dreamy moments when you think you’ve entered a movie set.
The Grand Socco is also the hub of several other sights, all visible from within it. First is the Cinema Rif, which stands on the circle. The brightest light on Tangier’s cultural scene, it is a combination art-house cinema, cafe and archive, and is the local focal point for anything to do with film. Young Tangaouis come to soak up the ambience and use the free wi-fi.


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Medina

The medina is the top attraction of Tangier, a labyrinth of alleyways both commercial and residential, contained by the walls of a 15th-century Portuguese fortress. Clean and well lit, as medinas go, the place is full of traveller’s treasures, from fleeting glimpses of ancient ways of living, to the more material rewards of the souqs. The thing to do is to get lost and wander for a few hours, although there are a few sites you don’t want to miss. Get as close to your destination as possible, then ask if you run into problems. Young people will be happy to take you anywhere (for a few dirhams).
From the Grand Socco, enter the medina opposite the Mendoubia Gardens, on Rue as-Siaghin, and follow the road downhill until it widens at Café Central,on the left. This is the Petit Socco once the most notorious crossroads of Tangier, the site of drug deals and all forms of prostitution. Today the facades are freshly painted, tourists abound and it’s a wonderful square for people-watching while you drink your mint tea.
From the Petit Socco, Rue Jemaa el-Kebir (formerly Rue de la Marine) leads east past the Grande Mosquée , which at one time housed a Portuguese church. A little further on you reach a scenic lookout over the port.
Now to avoid getting lost, head out of the medina a moment, and circle down to its southernmost corner, where you will re- enter via the steps to Rue D’Amerique/Zankat America. A dog-leg brings you to a door in a covered passageway on your left. Here you will find another great local oddity, and must-visit, the Tangier American Legation Museum . Morocco was one of the first countries to recognise the fledgling United States, and this was the first piece of American real estate abroad (look for the letter of thanks from George Washington to Sultan Moulay Suleyman). It is also the only US National Historic Landmark on foreign soil. The elegant five-storey mansion holds an impressive display of paintings that give a view of the Tangerine past through the eyes of its artists, most notably the Scotsman James McBey, whose hypnotic painting of his servant girl, Zohra, has been called the Moroccan Mona Lisa. The new director of the Legation, Gerald Loftus, has introduced a well-stocked bookshop and a wing dedicated to Paul Bowles. The romantic map room upstairs contains walls lined with ancient parchments and diplomatic mementoes, including a hilarious letter from the US consul recounting his gift of a lion from the sultan in 1839. It is at this point you realise that you have entered the plot of an exotic historical novel.
Just off the Petit Socco is the Musée de la Fondation Lorin , which is another eclectic stop. Here in this former synagogue, you will find an open two-storey room with an engaging collection of black-and-white photographs of 19th- and 20th-century Tangier on the walls. Meanwhile there is likely a children’s theatre going on in the centre, as the museum doubles as a workshop for disadvantaged kids, bringing life to the static display.
Now continue along Rue Touahine to Rue as-Siaghin, and exit the medina from where you started. Follow the perimeter all the way to the western end, to the highest part of the city, enter the Porte de la Kasbah, and follow the road to the Kasbah Museum . The museum is perfectly sited in Dar el-Makhzen, the former sultan’s palace (where Portuguese and British governors also lived) and has recently been completely renovated. The new focus is on the history of the area from prehistoric times to the 19th century, most of it presented in seven rooms around a central courtyard. Placards are in French and Arabic. Some highlights are pre-Roman tools; a sculpture with scenes of a bacchanalian feast; some 16th-century jewellery; an extraordinary floor mosaic from Volubilis; and a fascinating wall map of trade routes past and present. Before you leave, don’t miss the exotic Sultan’s Garden off the main courtyard, opposite the entrance, which was being restored at the time of research.

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Chouwara Tanneries


The Chouwara tanneries are one of the city’s most iconic sights (and smells). Head east or northeast from Place as-Seffarine and take the left fork after about 50m; you’ll soon pick up the unmistakeable waft of skin and dye that will guide you into the heart of the leather district (the touts offering to show you the way make it even harder to miss).
It’s not possible to get in among the tanning pits themselves, but there are plenty of vantage points from the streets that line them, all occupied (with typical Fassi ingenuity) by leather shops. Each shop has a terrace that allows you to look over the action. Try to get here in the morning when the pits are awash with coloured dye. Salesmen will happily give an explanation of the processes involved and will expect a small tip in return or, even better, a sale. While this might feel a little commercialised, you probably won’t find a better selection of leather in Morocco, and prices are as good as you’ll get.
In recent years, there have been plans mooted to move the tannery out of the medina altogether and redevelop the site as a green area. However, with both the economic and cultural impact of the plans for this district of the medina remaining uncertain, it’s unsure whether these plans will ever leave the drawing board.

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Moulay Idriss Zawiya
























Here is the heart of Fez: the mausoleum of the city's founder and the most venerated pilgrimage spot in Morocco. You can't enter unless you're a Muslim, but you can peek inside. It's worth walking around the building to see the beautiful carved and painted wood porches, the wall zellij and painted carved plaster at each doorway.
Near the main entrance are a fountain and a mzara (niche on the outside wall, richly decorated with zellij and plasterwork) where people in too much of a hurry to enter can pay their respects; there's another mzara on Talaa Kebira. The brass money-slot is for giving alms. Housing a mosque and ablution facilities, as well as the tomb of Moulay Idriss, the zawiya (shrine) dates from the 9th century and was enlarged in the 17th century. The streets around the zawiya sell necessities for pilgrims: votive candles, prayer beads and various types of incense.

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Kairaouine Mosque

One of Africa’s largest mosques and possibly the oldest university in the world, this mosque complex is the spiritual heart of Fez and Morocco itself. Established in 859 by Tunisian refugees and expanded by the Almoravids in the 12th century, it can accommodate up to 20,000 people at prayer. It’s so large that it can be difficult to actually see: over the centuries the streets and houses of the Kairaouine quarter have encroached on the building so much they disguise its true shape. The mosque has recently been restored, but non-Muslims are forbidden to enter and will have to be content with glimpses of its seemingly endless columns from the gates on Talaa Kebira and Place as-Seffarine. Better still, take the view from any vantage point over the medina: the huge green pyramidal roof and minaret immediately announce their presence.

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Saadian Tombs


Anyone who says you can’t take it with you hasn’t seen the Saadian Tombs, near the Kasbah Mosque. Saadian Sultan Ahmed al-Mansour ed-Dahbi spared no expense on his tomb, importing Italian Carrara marble and gilding honeycomb muqarnas (stalactite plasterwork) with pure gold to make the Chamber of the 12 Pillars a suitably glorious mausoleum.

Hidden Passages
Al-Mansour died in splendour in 1603, but a few decades later, Alawite Sultan Moulay Ismail walled up the Saadian Tombs to keep his predecessors out of sight and mind. Accessible only through a small passage in the Kasbah Mosque, the tombs were neglected by all except the storks until aerial photography exposed them in 1917. You can wander around the compound solo, or engage a guide at the entryway to explain what you’re seeing (customary tip Dh15to Dh20).

Courtyard Tombs
Al-Mansour played favourites even in death, keeping alpha-male princes handy in the Chamber of the Three Niches, and relegating to garden plots some 170 chancellors and wives – though some trusted Jewish advisors earned pride of place, literally closer to the king’s heart than his wives or sons. All tombs are overshadowed by his mother’s mausoleum in the courtyard, carved with poetic, weathered blessings and vigilantly guarded by stray cats.


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Jewish Cemetery & Habarim Synagogue


The southwest corner of the mellah is home to the sea of blindingly white tombs that stretch down the hill; those in dedicated enclosures are tombs of rabbis. One of the oldest, high up against the north wall, is that of Rabbi Vidal Hasserfaty, who died in 1600. On the slope below, the large tomb with green trimming is that of the martyr Solica. In 1834 this 14-year-old girl refused to convert to Islam or accept the advances of the governor of Tangier and subsequently had her throat slit.
The Habarim Synagogue, at the far end of the cemetery, now houses a museum with a whole mishmash of articles, including some poignant photos and postcards, left behind after the Jewish exodus. If the museum is locked, the gatekeeper will open it for you.


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Taourirt Kasbah

Unlike other Glaoui kasbahs, Taourirt escaped ruin by moonlighting as a Hollywood backdrop (Sheltering Sky, Gladiator , Prince of Persia ) and attracting the attention of Unesco, which has carefully restored small sections of the Glaoui inner sanctum. You could tour the restored Glaoui kasbah with a guide (Dh50 per group), but photographers will want to explore at their leisure to capture the light through arched doorways and palm-oasis views through slit windows. Follow the maze of salons and stairwells to the top floor, where you’ll find a prayer room through keyhole archways, traces of polychrome stucco and an original tataoui ceiling. Wander through the village inside the kasbah walls, and you might find deals on local crafts in backstreet shops.

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Atlas Film Corporation Studios

Te first ‘Ouallywood’ studio displays sets and props from movies filmed here, including Jewel of the Nile , Kingdom of Heaven and Kundun . Who knows, you may even get discovered by a talent scout – though as locals point out, the Dh40 to Dh100 day rates for extras aren’t exactly Screen Actors Guild pay. The studio is 5km west of town on the Marrakesh road and easily accessible on the yellow STUDID bus. There are guided tours every 20 to 40 minutes.

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Badi Palace


As 16th-century Sultan Ahmed el-Mansour was paving the Badi Palace, near Pl des Ferblantiers, with gold, turquoise and crystal, his court jester wisecracked, ‘It’ll make a beautiful ruin’. That jester was no fool: 75 years later the place was looted. Today it’s hard to guess the glories of el-Badi (the Incomparable) from the stark courtyard.
Check out the view of Marrakesh atop the pisé ramparts, and keep an eye out for upcoming events here. The king occasionally entertains royal visitors here, and the stately setting adds instant atmosphere to the Festival of Popular Arts in July. To reach the entrance, head through Pl des Ferblantiers and turn right along the ramparts.


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Koutoubia Mosque


Five times a day, one voice rises above the Djemaa din in the adhan ( call to prayer): that’s the muezzin calling the faithful from atop the Koutoubia Mosque minaret. After a few days in Marrakesh, even non-Muslim visitors unconsciously respond to the adhan throughout the day: a flutter of eyelashes at the dawn call, a surge of sudden purpose with the afternoon call, a calming breath when the evening call arises.
Minaret
The Koutoubia serves a spiritual purpose, but its minaret is also a point of reference for international architecture. The 12th-century 70m-high minaret is the prototype for Seville’s La Giralda and Rabat’s Le Tour Hassan, and it’s a monumental cheat sheet of Moorish ornament: scalloped keystone arches, jagged merlons (crenellations), and mathematically pleasing proportions. The minaret was sheathed in Marrakshi pink plaster, but experts opted to preserve its exposed stone in its 1990s restoration.
Mosque & Gardens
The mosque is off-limits to non-Muslims, but the recently refurbished gardens are fair game. Excavations confirm a longstanding Marrakshi legend: the original mosque built by lax Almoravid architects wasn’t properly aligned with Mecca, so the pious Almohads levelled it to build a realigned one. When the present mosque and its minaret were finished by Almohad Sultan Yacoub el-Mansour in the 12th century, 100 booksellers were clustered around its base – hence the name, from kutubiyyin, or booksellers.


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Ksar Char-Bagh Hammam


A trip to this spectacular subterranean red-marble hammam is almost eerily like rebirth. Re-entry to the world is eased with scented essential oils, liberal application of Anne Semonin products and a mood-lit lounge area. There's also a swimming pool. Treat yourself to a hammam, velvety skin scrub, rhassoul (mud scalp rub) and 90-minute perfumed-oil massage and emerge vowing to be a better person - or at least wear more sunscreen.

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Maison Tiskiwin


Travel to Timbuktu and back again via Dutch anthropologist Bert Flint’s art collection, displayed at Maison Tiskiwin. Each room represents a caravan stop from the Sahara to Marrakesh with indigenous crafts, from Tuareg camel saddles to High Atlas carpets. The accompanying text is often more eccentric than explanatory (an example: ‘By modifying his pristine nakedness Man seeks to reveal his image of himself’) but Tiskiwin’s well- travelled artefacts offer tantalising glimpses of Marrakesh’s trading-post past.

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Mouassine Fountain


The medina had 80 fountains at the start of the 20th century, and each neighbourhood had its own for water for cooking, public baths, orchards and gardens. The Mouassine Fountain, near Rue el-Mouassine, is a prime example, with carved wood details and continued use as a neighbourhood wool-drying area and gossip source.

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Agadir city


Agadir feels unlike anywhere else in Morocco. A busy port and beach resort sprawling beneath its kasbah, the city was completely rebuilt following a devastating earthquake in 1960. It is now the country’s premier destination for sun, sand, televised soccer, pubs and pizza. Laid out as a large grid of downtown streets, surrounded by spacious residential suburbs, Agadir’s concrete-covered inland quarters are ugly and sterile. However, the city hits its stride on the beachfront promenade, where Moroccan street life comes with a refreshing sense of space. Arching south of the shiny white marina, the sandy beach is more sheltered than many stretches of the Atlantic, offering clean water, safe swimming and 300 sunny days a year.
Agadir caters mainly to package-tour holidaymakers, and will appeal less to independent travellers with an interest in Moroccan culture. Nonetheless, if you do pass through, relaxing on the beach and wandering around the handful of sights is a pleasant way to spend a day or two.
The city spreads over a large area, both along the coast and inland from the huge swathe of beach. From the northern end of the beach, near the marina and port, three parallel boulevards – 20 Août, nearest the ocean, Ave Mohammed V and Hassan II – run through the main tourist area. Many of the best hotels and resorts are found by the beach south of the centre. Inland, on the northeast side of town, Nouveau Talborjt (New Talborjt) has many budget hotels and restaurants.
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Île de Mogador


Just off the coast to the southwest is the Île de Mogador, which has some interesting structures. It's actually two islands and several tiny islets - also known as the famed Îles Purpuraires (Purple Isles) of antiquity. The uninhabited islands are a sanctuary for Eleanora's falcons, which can also be easily seen through binoculars from Essaouira beach.
It is possible to arrange a private boat trip to the islands outside the breeding season, but you need to obtain a permit (free) from the port office; with that in hand, head for the small fishing boats to negotiate the trip out there. If you want to stay a few hours, fix a time for the boat to come and pick you up.

Localisation

City  : Essaouira
GPS : 31°30′35″N 9°46′38″W


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Medina of Essaouira

Essaouira’s walled medina was added to Unesco’s World Heritage list in 2001. Its well-preserved, late-18th-century fortified layout is a prime example of European military architecture in North Africa. For the visitor, the mellow atmosphere, narrow winding streets lined with colourful shops, whitewashed houses and heavy old wooden doors make it a wonderful place to stroll.
The dramatic, wave-lashed ramparts that surround the medina are a great place to get an overview of the labyrinth of streets. The ramparts were famously used in the opening scene of Orson Welles’ Othello for a panoramic shot where Iago is suspended in a cage above the rocks and sea. The easiest place to access the ramparts is at Skala de la Ville , the impressive sea bastion built along the cliffs. A collection of European brass cannons from the 18th and 19th centuries lines the walkway here and you’ll also get great views out to sea and gorgeous sunsets.

Localisation

City  : Essaouira
GPS : 31°30′50″N 9°46′17″W


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Woodcarving Workshops

























Essaouira is well known for its woodwork and you can visit a string of shops near the Skala de la Ville. The exquisite marquetry work on sale is made from local fragrant thuya wood, which is now an endangered species. Although the products are beautiful and sold at excellent prices, buying anything made from thuya threatens the last remaining stands of trees by increasing demand and therefore encouraging illegal logging. For a guilt-free conscience look for crafts made from other woods instead.

Localisation

City  : Essaouira
GPS : 31°30′48″N 9°46′17″W



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Essaouira Ramparts
























The views from the ramparts and the ramparts it self are very good. Its interesting to find a little out about the history off Essaouira and see the canons but it isn't very big and doesn't take very long to get around. It does give you a nice viewpoint in which to see all of the boats and fishmarket though, and a good view of Mogador Island...or the island of Mogador if you prefer. Definitely worth a look but don't plan a whole day around it! 

Localisation

City  : Essaouira
GPS : 31°30′34″N 9°46′30″W


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Majorelle Garden





The Majorelle Garden is a twelve-acre botanical garden and artist's landscape garden in Marrakech. It was designed by the expatriate French artist Jacques Majorelle in the 1920s and 1930s, during the colonial period when Morocco was a protectorate of France.
Majorelle was the son of the Art Nouveau ébéniste of Nancy, Louis Majorelle. Though Majorelle's gentlemanly orientalist watercolors are largely forgotten today (many are preserved in the villa's collection), the gardens he created is his creative masterpiece. The special shade of bold cobalt blue which he used extensively in the garden and its buildings is named after him, bleu Majorelle.
The garden hosts more than 15 bird species that are endemic to North Africa. It has many fountains, and a notable collection of cacti...

Localisation

City  : Marrakech
GPS : 31°38′34″N 8°00′11″W


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Bahia palace




















The Bahia Palace is a palace and a set of gardens located in Marrakech. It was built in the late 19th century, intended to be the greatest palace of its time. The name means "brilliance". As in other buildings of the period in other countries, it was intended to capture the essence of the Islamic and Moroccan style. There is a 2 acre (8,000 m²) garden with rooms opening onto courtyards.
Set up at the end of 19th century by Si Moussa, grand vizier of the sultan, for his personal use, this palace would bear the name of one of his wives. Here, the harem, which includes a vast court decorated with a central basin and surrounded by rooms intended for the concubines. As the black slave Abu Ahmed rose to power and wealth towards the end of the 19th century, he had the Bahia palace built by bringing in craftsmen from Fez.

Localisation

City  : Marrakech
GPS : 31°37′17.73″N 7°58′56.03″W



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Menara gardens






















The Menara gardens are gardens located to the west of Marrakech, at the gates of the Atlas mountains. They were built in the 12th century (c. 1130) by the Almohad ruler Abd al-Mu'min.
The name menara derives from the pavillon with its small green pyramid roof (menzeh). The pavilion was built during the 16th century Saadi dynasty and renovated in 1869 by sultan Abderrahmane of Morocco, who used to stay here in summertime.
The pavilion and basin (an artificial lake) are surrounded by orchards and olive groves. The intention of the basin was to irrigate the surrounding gardens and orchards using a sophisticated system of underground channels called a qanat. The basin is supplied with water thanks to an old hydraulic system which conveys water from the mountains located approximately 30km away from the city.

Localisation

City  : Marrakech
GPS31°36′48″N 8°01′18″W


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Jemaa el Fna




















Jamaa el Fna is a square and market place in Marrakesh's medina quarter (old city). It remains the main square of Marrakesh, used by locals and tourists.
The origin of its name is unclear: Jemaa means "congregational mosque" in Arabic, probably referring to a destroyed Almoravid mosque. "Fanâʼ" or "finâ'" can mean "death" or "a courtyard, space in front of a building." Thus, one meaning could be "The mosque or assembly of death," or "The Mosque at the End of the World". A more likely explanation is that it refers to a mosque with a distinctive courtyard or square in front of it.

During the day it is predominantly occupied by orange juice stalls, youths with chained Barbary apes, water sellers in colourful costumes with traditional leather water-bags and brass cups, and snake charmers who will pose for photographs for tourists.
As the day progresses, the entertainment on offer changes: the snake charmers depart, and late in the day the square becomes more crowded, with Chleuh dancing-boys (it would be against custom for girls to provide such entertainment), story-tellers (telling their tales in Berber or Arabic, to an audience of appreciative locals), magicians, and peddlers of traditional medicines. As darkness falls, the square fills with dozens of food-stalls as the number of people on the square peaks.

Localisation

City  : Marrakech
GPS : 31°37′33″N 7°59′21



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Ancient Medina of Fes


As the capital for his newly acquired empire, Idris ibn Abdallah chose to build a new town on the right bank of the Fes river in 789 a.d. Initially a big proportion of the population were refugees who were fleeing from an uprising in Cordoba (modern-day Spain) However in 809 a.d. his son, Idris II, decided to found a capital of his own on the opposite bank of the Fes River. There were many refugees who decided to settle in the new city this time too, however this time they fled from an uprising in Kairouan ( in modern Tunisia).
Even though they were only separated by a relatively small river the cities developed separately and became two individual cities until they were unified in the 11th century by the Almoravids.
One good example of how the refugees contributed to making Fes flourish during the early years is the University of Al-Karaouine that was built by a Tunisian refugee in 859 AD. It is considered the oldest university in the world.
Under the Almoravids, Fes lost its status as a capital when the Almoravids created Marrakech, which they made their capital.
The Almoravids destroyed large parts of Fes el Bali but managed to create modern-day Fes el Bali when they united the twin cities by tearing down that separated them and by building bridges across the Fes river.
During Almohad rule, Fes was a thriving merchant city, even though it was not a capital, and even became the largest city in the world during that time, with approximately 200,000 people living there.
After defeating the Almoravids in Morocco, the Marinids moved the capital from Marrakech to Fes. This marked the beginning of the greatest period of the history for Fes el Bali. When the Marinids moved the capital to Fes in 1276 they started building a new town outside the old city walls. At first it was called the white city but after a while it got a new name; Fes Jdid, or new Fes. This is when Fes el Bali, or the old Fes, got its name too. Before Fes Jdid was founded it was simply called Fes.
Most of the principal monuments in Fes el Bali were built under Marinid rule. In the 14th century a mellah was added to the urban fabric.

Localisation

City  : Fes
GPS : 34°03′47″N 4°58′28″W



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Zagora


























is a town in the valley of the Draa River in Souss-Massa-Drâa, southeastern Morocco.  It is flanked by the mountain Zagora from which the town got its name. Originally it was called 'Tazagourt' the singular of plural 'Tizigirt', Berber for 'twinpeaks', referring to the fortress of the Murabitun, or Almoravid, people. In old European maps the mountain Zagora is already indicated but the town itself was only built in the 20th century. On the top of the Zagora mountain the remains of an Almoravid fortress can still be seen. The exact location of the former Almoravid mosque is still a matter of dispute. Each year the moussem (festival) of the Sufi saint moulay Abdelkader Jilali is celebrated at Zagora. Languages spoken in the city include Moroccan Arabic, Tachelhit and Tamazight. A well known sign at the town border states "Tombouctou 52 days", the supposed time it takes to get to Timbuktu, Mali on foot or camel.

Localisation

City  : Ouarzazate
GPS : 30°19′50″N 5°50′17″W



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Chefchaouen City


























Chefchaouen is situated in the Rif Mountains, just inland from Tangier and Tetouan. The city was founded in 1471, as a small fortress which still exists to this day, by Moulay Ali Ben Moussa Ben Rached El Alami (a descendant of Ibn Machich and Idris I, and through them, of the prophet Muhammad) to fight the Portuguese invasions of northern Morocco. Along with the Ghomara tribes of the region, many Morroccans and Jews settled here after the Spanish Reconquista in medieval times. In 1920, the Spanish seized Chefchaouen to form part of Spanish Morocco. Spanish troops imprisoned Abd el-Krim in the kasbah from 1916 to 1917, after he talked with the German consul Dr. Walter Zechlin (1879–1962). (After defeating him with the help of the French force Abd el-Krim was deported to Réunion in 1926). Spain returned the city after the independence of Morocco in 1956.
Chefchaouen or Chaouen, as it is often called by Moroccans, is a popular tourist destination because of its proximity to Tangier and the Spanish enclave of Ceuta. The name refers to the shape of the mountain tops above the town, that look like the two horns (chaoua) of a goat. "Chef Chaouen" derives from the Berber word for horns, Ichawen. There are approximately two hundred hotels catering to the summer influx of European tourists. One distinction possessed by Chefchaouen is its blue-rinsed houses and buildings.
Chefchaouen is a popular shopping destination as well, as it offers many native handicrafts that are not available elsewhere in Morocco, such as wool garments and woven blankets. The goat cheese native to the area is also popular with tourists.

Localisation

City  : Chefchaouen
GPS : 35°10′17″N 5°16′11″W






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Dades Valley



























Dades Valley,  it's in Dadès River and lies between the Atlas Mountains and Anti-Atlas mountain range.
Berbers (Locals) built many kasbahs in vicinity of gorges with defence purposes. These many kasbahs with combination of natural beauty contributes to high tourist attractivity in recent years.


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Fes City


























The name of the city is taken from the word Fazaz, the old Berber name for the Middle Atlas mountains near the city. The name is also attested as that of a Berber tribe living just south of Fes.
Until the Almoravid rule in the 11th century, Fes consisted of two separate cities or medinas: Madinat Fas and Al-'Aliya, the former being founded by Idris I, the latter by his son, Idris II. During Idrisid rule the capital city was known as Al-'Aliya, with the name Fas being reserved for the separate site on the other side of the river: no Idrisid coins have been found with the name Fes, only al-'Aliya and al-'Aliya Madinat Idris. It is not known whether the name al-'Aliya was ever used to refer to both medinas. It wasn't until 1070 that the two agglomerations were united and the name Fas was used for both sites.

Localisation

City  : Fes
GPS : 34°02′06″N 4°59′41″W



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