Eighty-five kilometres north of Foum Zguid is Tazenakht,
a handy stop for a quick bite, coffee, petrol and, yes, carpets. The
distinctive local carpets (a mix of flat-weave and thick pile) with
their extraordinary zigzagging patterns and bold colour schemes of red,
orange and blue, are hung all around town. You can skip the middlemen
and browse fixed-price pieces inside the government-run Agence de
L'Artisanat, within a walled compound on your right as you enter the
town from the south.
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Exiting Erg Chigaga by 4WD, head north to Ouarzazate or Marrakesh via Foum Zguid. in the road through dunes, you’ll pass the Iriki 'oasis'
under an imposing plateau on your right. From here, you’ll spot thirsty
birds and gazelles drinking from a vast lake. But look again: ‘Lake
Iriki’ is actually a salt pan shimmering in the heat haze, with
deceptive silhouettes of poisonous calitropis bushes.
The gorgeous whitewashed resort town of Assilah
feels like somewhere on a Greek island, but the tapas and paella on the
Spanish menus in the restaurants and the wrought-iron windows on the
white houses are but a few reminders that the town was Spanish territory
for a long time. Assilah is an easy and hassle-free introduction to Morocco
and, with a good selection of budget hotels and restaurants, and a
burgeoning art scene, the town has become a favourite stop on the
traveller’s trail of the North Atlantic coast.
The
town’s mayor lives in the picturesque medina and has vowed to make it
as clean as Switzerland. The old medina has been seriously gentrified in
the last few years as more and more houses have been bought by affluent
Moroccans and Europeans, mainly Spanish. The town is sleepy for most of
the year, but in the summer months the population grows from 12,000 to
110,000, when Moroccan families descend here, as elsewhere along the
coast. The small town is then completely overrun, the beaches are packed
and the touts come out in force. The best time to visit is in spring or
autumn when the weather is still pleasant but the crowds are gone.
Assilah has had a turbulent history as a small, but strategic port since it began life as the Carthaginian
settlement of Zilis. During the Punic Wars the people backed Carthage,
and when the region fell to the Romans, the locals were shipped to Spain
and replaced with Iberians. From then on, Assilah was inexorably linked
with the Spanish and with their numerous battles for territory.
As Christianity conquered the forces of Islam
on the Iberian Peninsula in the 14th and 15th centuries, Assilah felt
the knock-on effects. In 1471 the Portuguese sent 477 ships with 30,000
men, captured the port and then built the walls that still surround the
medina, a trading post on their famous gold route across Africa. In
1578, King Dom Sebastian of Portugal embarked on an ill-fated crusade
from Assilah. He was killed, and Portugal (and its Moroccan possessions)
passed into the hands of the Spanish, who remained for a very long
time.
Assilah was recaptured by Moulay Ismail in
1691. In the 19th century, continuing piracy prompted Austria and then
Spain to send their navies to bombard the town. Its most famous renegade
was Er-Raissouli, one of the most colourful bandits ever raised in the
wild Rif Mountains. Early in the 20th century, Er-Raissouli used Assilah
as his base, becoming the bane of the European powers. Spain made
Assilah part of its protectorate from 1911 until 1956.
Always of huge strategic importance at the entrance to the Mediterranean, Tangier
is the enthralling gateway to Africa, a tantalising introduction to a
culture vastly different from that across the Strait of Gibraltar.
After
WWII, Tangier became an International Zone that attracted eccentric
foreigners, artists, spies and hippies. The city fell into neglect and
dissolution, gaining a dismal reputation thanks to the sleaze and
hustles that beset every arrival. But now the white city has turned over
a new leaf, and is looking to the future with renewed vigour.
With the arrival of the new monarch in 1999 and
his forward-thinking ideas about commerce and tourism, suddenly the
community woke up to the potential of this great city. There’s a
spanking new port of enormous proportions, a new business district and a
revamped airport. Buildings have been renovated, beaches cleaned up,
hustlers chivvied off the streets, there’s an explosion of cultural
activities and now some great places to stay and excellent restaurants.
Tangier is divided into an old walled city, or
medina, a nest of medieval alleyways, and a new, modern city, the ville
nouvelle. The medina contains a kasbah, the walled fortress of the
sultan, which forms its western corner; the Petit Socco
(also known as Socco Chico, and officially as Pl Souq ad-Dakhil), an
historic plaza in the centre; and of course, the souqs, or markets. The
much more impressive Grand Socco
(officially renamed Pl du 9 Avril 1947), a pleasant square with a
central fountain, is the hinge between the two sides of town, and the
postcard entrance to the medina.
St Agatha’s Crypt & Catacombs are interesting as they contain a
series of remarkable frescoes dating from the 12th to the 15th
centuries. According to legend, these catacombs were the hiding place of
St Agatha when she fled Sicily. Tours of the catacombs are conducted
regularly and explain the history of the site and point out features of
the artwork. Back at ground level is a quirky little museum containing
everything from fossils and minerals to coins, church vestments and
Etruscan, Roman and Egyptian artefacts. Note that from October to June
the complex is closed between noon and 1pm.
Towering above Oued Bou Regreg, and surrounded by well-tended gardens,
is Rabat’s most famous landmark. The Almohads’ most ambitious project
would have been the second-largest mosque of its time, after Samarra in
Iraq, but Sultan Yacoub al-Mansour died before it was finished. He
intended a 60m-tall minaret, but the tower was abandoned at 44m. The
mosque was destroyed by an earthquake in 1755, and today only a forest
of shattered pillars testifies to the grandiosity of Al-Mansour’s plans.
The tower is built to the same design as the Giralda in Seville, and
the Koutoubia in Marrakesh.
This occupies the oldest part of the city, the site of the original
ribat, and commands powerful views over the river and ocean from its
cliff-top perch. The kasbah is predominately residential and the narrow
streets are lined with whitewashed houses - most of which were built by
Muslim refugees from Spain. It's a tranquil and picturesque place to
wander and there's no need for a guide. Ignore anyone who advises you
that the kasbah is 'forbidden'.
The most dramatic entry to the
kasbah is through the enormous Almohad gate of Bab Oudaia, built in
1195. Its location, facing the heart of the city and just outside the
original palace, made it more ceremonial than defensive and the gateway
is elaborately decorated with a series of carved arches. Inside the
gateway, the main street, Rue Jamaa, runs straight through the kasbah.
About 200m ahead on the left is the oldest mosque in Rabat, built in the
12th century and restored in the 18th.
Abandoned, crumbling and overgrown, the old Roman city of Sala
Colonia and the Merenid necropolis of Chellah is one of Rabat’s most
evocative sights. The Phoenicians were the first to settle on the grassy
slopes above the river, but the town grew when the Romans took control
in about AD 40. The city was abandoned in 1154 in favour of Salé, but in
the 14th century the Merenid sultan Abou al-Hassan Ali built a
necropolis on top of the Roman site and surrounded it with the towers
and defensive wall that stand today.
Overgrown by fruit trees and
wild flowers, it is an atmospheric place to roam around. From the main
gate, a path heads down through fragrant fig, olive and orange trees to a
viewing platform that overlooks the ruins of the Roman city. Making out
the structures takes a bit of imagination, but the mystery is part of
the magic of this place. A path leads through the ruins of the
triple-arched entrance known as the Arc de Triomphe, past the Jupiter
Temple (to the left) and to the forum (at the end of the main road),
while another goes to the octagonal Pool of the Nymph, part of the Roman
system of water distribution.
Far easier to discern are the
remains of the Islamic complex , with its elegant minaret now topped by a
stork’s nest. An incredible colony of storks has taken over the ruins,
lording over the site from their tree-top nests. If you visit in spring,
the clacking bills of mating pairs is a wonderful soundtrack to a
visit.
Near the ruined minaret is the tomb of Abou al-Hassan Ali
and his wife, complete with ornate zellij ornamentation. A small medersa
is nearby, where the remains of pillars, students’ cells and scalloped
pools – as well as the blocked-off mihrab (prayer niche) – are still
discernable. On leaving the mosque, the path passes the tombs of several
saints on the far right. To the left, the murky waters of a walled pool
(marked ‘bassin aux anguilles’ ) still attract women who believe that
feeding boiled eggs to the eels here brings fertility and easy
childbirth.
When art collectors seek the same works, bidding wars ensue – but
when Parisian Patrick Menac’h and Marrakshi Hamid Mergani realised they
were both collecting vintage Moroccan photography, they decided to open a
Marrakesh gallery to show their collections in their original context.
Together
the collectors ‘repatriated’ 4500 photos, 2000 glass negatives and 80
documents dating from 1870 to 1950; select works on view here fill three
floors, organised by region and theme. Fascinating, well-documented
works include a 1907 Djemaa el-Fna vista, a 1920 photo of Ali ben
Youssef Medersa with students, and a rare, full-colour 1957 documentary
shot in Morocco. Most works are editioned prints from original
negatives, and available for sale.
Don’t miss the panoramic
terrace for coffee or one of Marrakesh’s best lunch deals: a fragrant
chicken tajine with preserved lemon for Dh35. If you’re heading to
Ourika Valley, save your ticket for free admission to the Ecomusée
Berbere.
Maybe the rumours are true of a curse on the Mnebhi Palace, now home
to Musée de Marrakech. Its low walls and light-filled inner courtyard
left no place to hide for Mehdi Mnebhi, defence minister during Sultan
Moulay Abdelaziz’s troubled 1894–1908 reign. While Minister Mnebhi was
away receiving a medal from Queen Victoria, sneaky England conspired
with France and Spain to colonise North Africa. In Mnebhi’s absence,
autocrat Pasha Glaoui filched his palace – but after independence, it
was seized by the state. The palace became Marrakesh’s first girls’
school in 1965, but upkeep proved a problem.
The palace’s fortunes
turned around in 1997 with restoration by the Omar Benjelloun
Foundation. Traditional arts displays include Rabati embroidery, inlaid
daggers and Fassi pottery, plus displays of historic photos in the
original hammam and variable contemporary art in the former kitchen.
Outside, there’s a courtyard cafe serving powerful espresso, and a small
bookshop.
South of Bahia Palace is the historic home of Marrakesh’s Jewish community. Most Jewish families moved away in the 1960s, but the mellah remains notable for tall mudbrick homes along single-file streets and cross-alley gossip through wrought-iron mellah balconies. Local guides may usher you into the local synagogue , and the miaâra , or Jewish cemetery, where the gatekeeper admits visitors paying respects to whitewashed tombs topped with rocks for remembrance (Dh10 tip expected).
Housed in a wonderful 19th-century summer palace, converted to a
museum in 1916, the Batha Museum houses an excellent collection of
traditional Moroccan arts and crafts. Historical and artistic artefacts
include fine woodcarving, zellij and sculpted plaster, much of it from
the city’s ruined or decaying medersas . It also has some fine Fassi
embroidery, colourful Berber carpets and antique instruments.
The
highlight of the museum is the superb ceramic collection dating from the
14th century to the present. These are some fantastic examples of the
famous blue pottery of Fez. The cobalt glaze responsible for the colour
is developed from a special process discovered in the 10th century.
The
museum’s Andalucian-style garden offers temporary respite from the
bustle and noise of the medina, and the spreading holm oaks provide a
backdrop for the open-air concerts the museum hosts during the Sacred
Music and Sufi Culture festivals.
Just outside Bab el-Okla is the best artisan centre in northern Morocco.
This is a fascinating opportunity to see masters teaching apprentices
traditional arts, including ornamental woodwork, silk costumes, carved
plaster, intricate mosaics and decorative rifles. A fantastic central
treasury holds the best of the best – don’t miss the ceiling. Staff will
open it upon request. The building itself is of interest, set around a
large courtyard, with fine doors upstairs.
South of Bab el-Mansour lies the mechouar (parade ground), now known
as Place Lalla Aouda, where Moulay Ismail inspected his famed Black
Guard. After bringing 16,000 slaves from sub-Saharan Africa, Moulay
Ismail guaranteed the continued existence of his elite units by
providing the soldiers with women and raising their offspring for
service in the guard. By the time of his death, the Black Guard had
expanded tenfold. Its successes were many, ranging from quelling
internal rebellions, to chasing European powers out of northern Morocco,
to disposing of the Ottoman Turk threat from Algeria.
Following
the road around to the right, you’ll find an expanse of grass and a
small building, the Koubbat as-Sufara’, once the reception hall for
foreign ambassadors. Beside the entrance, you will notice the shafts
that descend into a vast crypt. This dark and slightly spooky network of
rooms was used for food storage, although tour guides will delight in
recounting the (erroneous) story that it was used as a dungeon for the
Christian slaves who provided labour for Moulay Ismail’s building spree.
Bring a torch.
The Grand Socco is the romantic entrance to the medina, a large,
sloping, palm-ringed plaza with a central fountain that stands before
the keyhole gate Bab Fass. Once a major market, its cobblestone circle
is now the end of the line for taxis, the point at which the modern
streets narrow into the past. For the best ground-floor view, climb the
steps at the highest point on the circle, across from the large tan
building (the police station), to what locals simply call La Terrasse .
This is what you came for, one of those dreamy moments when you think
you’ve entered a movie set.
The Grand Socco is also the hub of
several other sights, all visible from within it. First is the Cinema
Rif, which stands on the circle. The brightest light on Tangier’s
cultural scene, it is a combination art-house cinema, cafe and archive,
and is the local focal point for anything to do with film. Young
Tangaouis come to soak up the ambience and use the free wi-fi.
The medina is the top attraction of Tangier, a labyrinth of alleyways
both commercial and residential, contained by the walls of a
15th-century Portuguese fortress. Clean and well lit, as medinas go, the
place is full of traveller’s treasures, from fleeting glimpses of
ancient ways of living, to the more material rewards of the souqs. The
thing to do is to get lost and wander for a few hours, although there
are a few sites you don’t want to miss. Get as close to your destination
as possible, then ask if you run into problems. Young people will be
happy to take you anywhere (for a few dirhams).
From the Grand
Socco, enter the medina opposite the Mendoubia Gardens, on Rue
as-Siaghin, and follow the road downhill until it widens at Café
Central,on the left. This is the Petit Socco once the most notorious
crossroads of Tangier, the site of drug deals and all forms of
prostitution. Today the facades are freshly painted, tourists abound and
it’s a wonderful square for people-watching while you drink your mint
tea.
From the Petit Socco, Rue Jemaa el-Kebir (formerly Rue de la
Marine) leads east past the Grande Mosquée , which at one time housed a
Portuguese church. A little further on you reach a scenic lookout over
the port.
Now to avoid getting lost, head out of the medina a
moment, and circle down to its southernmost corner, where you will re-
enter via the steps to Rue D’Amerique/Zankat America. A dog-leg brings
you to a door in a covered passageway on your left. Here you will find
another great local oddity, and must-visit, the Tangier American
Legation Museum . Morocco was one of the first countries to recognise
the fledgling United States, and this was the first piece of American
real estate abroad (look for the letter of thanks from George Washington
to Sultan Moulay Suleyman). It is also the only US National Historic
Landmark on foreign soil. The elegant five-storey mansion holds an
impressive display of paintings that give a view of the Tangerine past
through the eyes of its artists, most notably the Scotsman James McBey,
whose hypnotic painting of his servant girl, Zohra, has been called the
Moroccan Mona Lisa. The new director of the Legation, Gerald Loftus, has
introduced a well-stocked bookshop and a wing dedicated to Paul Bowles.
The romantic map room upstairs contains walls lined with ancient
parchments and diplomatic mementoes, including a hilarious letter from
the US consul recounting his gift of a lion from the sultan in 1839. It
is at this point you realise that you have entered the plot of an exotic
historical novel.
Just off the Petit Socco is the Musée de la
Fondation Lorin , which is another eclectic stop. Here in this former
synagogue, you will find an open two-storey room with an engaging
collection of black-and-white photographs of 19th- and 20th-century
Tangier on the walls. Meanwhile there is likely a children’s theatre
going on in the centre, as the museum doubles as a workshop for
disadvantaged kids, bringing life to the static display.
Now
continue along Rue Touahine to Rue as-Siaghin, and exit the medina from
where you started. Follow the perimeter all the way to the western end,
to the highest part of the city, enter the Porte de la Kasbah, and
follow the road to the Kasbah Museum . The museum is perfectly sited in
Dar el-Makhzen, the former sultan’s palace (where Portuguese and British
governors also lived) and has recently been completely renovated. The
new focus is on the history of the area from prehistoric times to the
19th century, most of it presented in seven rooms around a central
courtyard. Placards are in French and Arabic. Some highlights are
pre-Roman tools; a sculpture with scenes of a bacchanalian feast; some
16th-century jewellery; an extraordinary floor mosaic from Volubilis;
and a fascinating wall map of trade routes past and present. Before you
leave, don’t miss the exotic Sultan’s Garden off the main courtyard,
opposite the entrance, which was being restored at the time of research.
The Chouwara tanneries are one of the city’s most iconic sights (and
smells). Head east or northeast from Place as-Seffarine and take the
left fork after about 50m; you’ll soon pick up the unmistakeable waft of
skin and dye that will guide you into the heart of the leather district
(the touts offering to show you the way make it even harder to miss).
It’s
not possible to get in among the tanning pits themselves, but there are
plenty of vantage points from the streets that line them, all occupied
(with typical Fassi ingenuity) by leather shops. Each shop has a terrace
that allows you to look over the action. Try to get here in the morning
when the pits are awash with coloured dye. Salesmen will happily give
an explanation of the processes involved and will expect a small tip in
return or, even better, a sale. While this might feel a little
commercialised, you probably won’t find a better selection of leather in
Morocco, and prices are as good as you’ll get.
In recent years,
there have been plans mooted to move the tannery out of the medina
altogether and redevelop the site as a green area. However, with both
the economic and cultural impact of the plans for this district of the
medina remaining uncertain, it’s unsure whether these plans will ever
leave the drawing board.
Here is the heart of Fez: the mausoleum of the city's founder and the
most venerated pilgrimage spot in Morocco. You can't enter unless
you're a Muslim, but you can peek inside. It's worth walking around the
building to see the beautiful carved and painted wood porches, the wall
zellij and painted carved plaster at each doorway.
Near the main
entrance are a fountain and a mzara (niche on the outside wall, richly
decorated with zellij and plasterwork) where people in too much of a
hurry to enter can pay their respects; there's another mzara on Talaa
Kebira. The brass money-slot is for giving alms. Housing a mosque and
ablution facilities, as well as the tomb of Moulay Idriss, the zawiya
(shrine) dates from the 9th century and was enlarged in the 17th
century. The streets around the zawiya sell necessities for pilgrims:
votive candles, prayer beads and various types of incense.
One of Africa’s largest mosques and possibly the oldest university in
the world, this mosque complex is the spiritual heart of Fez and Morocco
itself. Established in 859 by Tunisian refugees and expanded by the
Almoravids in the 12th century, it can accommodate up to 20,000 people
at prayer. It’s so large that it can be difficult to actually see: over
the centuries the streets and houses of the Kairaouine quarter have
encroached on the building so much they disguise its true shape. The
mosque has recently been restored, but non-Muslims are forbidden to
enter and will have to be content with glimpses of its seemingly endless
columns from the gates on Talaa Kebira and Place as-Seffarine. Better
still, take the view from any vantage point over the medina: the huge
green pyramidal roof and minaret immediately announce their presence.
Anyone who says you can’t take it with you hasn’t seen the Saadian Tombs, near the Kasbah Mosque. Saadian Sultan Ahmed al-Mansour ed-Dahbi spared no expense on his tomb, importing Italian Carrara marble and gilding honeycomb muqarnas (stalactite plasterwork) with pure gold to make the Chamber of the 12 Pillars a suitably glorious mausoleum.
Hidden Passages
Al-Mansour died in splendour in 1603, but a
few decades later, Alawite Sultan Moulay Ismail walled up the Saadian
Tombs to keep his predecessors out of sight and mind. Accessible only
through a small passage in the Kasbah Mosque, the tombs were neglected
by all except the storks until aerial photography exposed them in 1917.
You can wander around the compound solo, or engage a guide at the
entryway to explain what you’re seeing (customary tip Dh15to Dh20).
Courtyard Tombs
Al-Mansour
played favourites even in death, keeping alpha-male princes handy in
the Chamber of the Three Niches, and relegating to garden plots some 170
chancellors and wives – though some trusted Jewish advisors earned
pride of place, literally closer to the king’s heart than his wives or
sons. All tombs are overshadowed by his mother’s mausoleum in the
courtyard, carved with poetic, weathered blessings and vigilantly
guarded by stray cats.
The southwest corner of the mellah is home to the sea of blindingly white tombs that stretch down the hill; those in dedicated enclosures are tombs of rabbis. One of the oldest, high up against the north wall, is that of Rabbi Vidal Hasserfaty, who died in 1600. On the slope below, the large tomb with green trimming is that of the martyr Solica. In 1834 this 14-year-old girl refused to convert to Islam or accept the advances of the governor of Tangier and subsequently had her throat slit.
The Habarim Synagogue, at the far end of the cemetery, now houses a
museum with a whole mishmash of articles, including some poignant photos
and postcards, left behind after the Jewish exodus. If the museum is
locked, the gatekeeper will open it for you.
Unlike other Glaoui kasbahs, Taourirt escaped ruin by moonlighting as a
Hollywood backdrop (Sheltering Sky, Gladiator , Prince of Persia ) and
attracting the attention of Unesco, which has carefully restored small
sections of the Glaoui inner sanctum. You could tour the restored Glaoui
kasbah with a guide (Dh50 per group), but photographers will want to
explore at their leisure to capture the light through arched doorways
and palm-oasis views through slit windows. Follow the maze of salons and
stairwells to the top floor, where you’ll find a prayer room through
keyhole archways, traces of polychrome stucco and an original tataoui
ceiling. Wander through the village inside the kasbah walls, and you
might find deals on local crafts in backstreet shops.
Te first ‘Ouallywood’ studio displays sets and props from movies filmed
here, including Jewel of the Nile , Kingdom of Heaven and Kundun . Who
knows, you may even get discovered by a talent scout – though as locals
point out, the Dh40 to Dh100 day rates for extras aren’t exactly Screen
Actors Guild pay. The studio is 5km west of town on the Marrakesh road
and easily accessible on the yellow STUDID bus. There are guided tours
every 20 to 40 minutes.
As 16th-century Sultan Ahmed el-Mansour was paving the Badi Palace, near Pl des Ferblantiers, with gold, turquoise and crystal, his court jester wisecracked, ‘It’ll make a beautiful ruin’. That jester was no fool: 75 years later the place was looted. Today it’s hard to guess the glories of el-Badi (the Incomparable) from the stark courtyard.
Check out the view of Marrakesh atop the pisé ramparts, and keep an
eye out for upcoming events here. The king occasionally entertains royal
visitors here, and the stately setting adds instant atmosphere to the
Festival of Popular Arts in July. To reach the entrance, head through Pl
des Ferblantiers and turn right along the ramparts.
Five times a day, one voice rises above the Djemaa din in the adhan ( call to prayer): that’s the muezzin calling the faithful from atop the Koutoubia Mosque minaret. After a few days in Marrakesh, even non-Muslim visitors unconsciously respond to the adhan throughout the day: a flutter of eyelashes at the dawn call, a surge of sudden purpose with the afternoon call, a calming breath when the evening call arises.
Minaret
The Koutoubia serves a spiritual purpose, but its
minaret is also a point of reference for international architecture. The
12th-century 70m-high minaret is the prototype for Seville’s La Giralda
and Rabat’s Le Tour Hassan, and it’s a monumental cheat sheet of
Moorish ornament: scalloped keystone arches, jagged merlons
(crenellations), and mathematically pleasing proportions. The minaret
was sheathed in Marrakshi pink plaster, but experts opted to preserve
its exposed stone in its 1990s restoration.
Mosque & Gardens
The
mosque is off-limits to non-Muslims, but the recently refurbished
gardens are fair game. Excavations confirm a longstanding Marrakshi
legend: the original mosque built by lax Almoravid architects wasn’t
properly aligned with Mecca, so the pious Almohads levelled it to build a
realigned one. When the present mosque and its minaret were finished by
Almohad Sultan Yacoub el-Mansour in the 12th century, 100 booksellers
were clustered around its base – hence the name, from kutubiyyin, or
booksellers.
A trip to this spectacular subterranean red-marble hammam is almost eerily like rebirth. Re-entry to the world is eased with scented essential oils, liberal application of Anne Semonin products and a mood-lit lounge area. There's also a swimming pool. Treat yourself to a hammam, velvety skin scrub, rhassoul (mud scalp rub) and 90-minute perfumed-oil massage and emerge vowing to be a better person - or at least wear more sunscreen.
Travel to Timbuktu and back again via Dutch anthropologist Bert Flint’s art collection, displayed at Maison Tiskiwin. Each room represents a caravan stop from the Sahara to Marrakesh with indigenous crafts, from Tuareg camel saddles to High Atlas carpets. The accompanying text is often more eccentric than explanatory (an example: ‘By modifying his pristine nakedness Man seeks to reveal his image of himself’) but Tiskiwin’s well- travelled artefacts offer tantalising glimpses of Marrakesh’s trading-post past.
The medina had 80 fountains at the start of the 20th century, and each neighbourhood had its own for water for cooking, public baths, orchards and gardens. The Mouassine Fountain, near Rue el-Mouassine, is a prime example, with carved wood details and continued use as a neighbourhood wool-drying area and gossip source.
Agadir feels unlike anywhere else in Morocco.
A busy port and beach resort sprawling beneath its kasbah, the city was
completely rebuilt following a devastating earthquake in 1960. It is
now the country’s premier destination for sun, sand, televised soccer,
pubs and pizza. Laid out as a large grid of downtown streets, surrounded
by spacious residential suburbs, Agadir’s concrete-covered inland
quarters are ugly and sterile. However, the city hits its stride on the
beachfront promenade, where Moroccan street life comes with a refreshing
sense of space. Arching south of the shiny white marina, the sandy
beach is more sheltered than many stretches of the Atlantic, offering
clean water, safe swimming and 300 sunny days a year.
Agadir
caters mainly to package-tour holidaymakers, and will appeal less to
independent travellers with an interest in Moroccan culture.
Nonetheless, if you do pass through, relaxing on the beach and wandering
around the handful of sights is a pleasant way to spend a day or two.
The city spreads over a large area, both along
the coast and inland from the huge swathe of beach. From the northern
end of the beach, near the marina and port, three parallel boulevards –
20 Août, nearest the ocean, Ave Mohammed V and Hassan II – run through
the main tourist area. Many of the best hotels and resorts are found by
the beach south of the centre. Inland, on the northeast side of town,
Nouveau Talborjt (New Talborjt) has many budget hotels and restaurants.
Just off the coast to the southwest is the Île de Mogador, which has
some interesting structures. It's actually two islands and several tiny
islets - also known as the famed Îles Purpuraires (Purple Isles) of
antiquity. The uninhabited islands are a sanctuary for Eleanora's
falcons, which can also be easily seen through binoculars from Essaouira
beach.
It is possible to arrange a private boat trip to the
islands outside the breeding season, but you need to obtain a permit
(free) from the port office; with that in hand, head for the small
fishing boats to negotiate the trip out there. If you want to stay a few
hours, fix a time for the boat to come and pick you up.
Localisation
City : Essaouira
GPS : 31°30′35″N 9°46′38″W
Essaouira’s walled medina was added to Unesco’s World Heritage list
in 2001. Its well-preserved, late-18th-century fortified layout is a
prime example of European military architecture in North Africa. For the
visitor, the mellow atmosphere, narrow winding streets lined with
colourful shops, whitewashed houses and heavy old wooden doors make it a
wonderful place to stroll.
The dramatic, wave-lashed ramparts
that surround the medina are a great place to get an overview of the
labyrinth of streets. The ramparts were famously used in the opening
scene of Orson Welles’ Othello for a panoramic shot where Iago is
suspended in a cage above the rocks and sea. The easiest place to access
the ramparts is at Skala de la Ville , the impressive sea bastion built
along the cliffs. A collection of European brass cannons from the 18th
and 19th centuries lines the walkway here and you’ll also get great
views out to sea and gorgeous sunsets.
Localisation
City : Essaouira
GPS : 31°30′50″N 9°46′17″W
Essaouira is well known for its woodwork and you can visit a string of
shops near the Skala de la Ville. The exquisite marquetry work on sale
is made from local fragrant thuya wood, which is now an endangered
species. Although the products are beautiful and sold at excellent
prices, buying anything made from thuya threatens the last remaining
stands of trees by increasing demand and therefore encouraging illegal
logging. For a guilt-free conscience look for crafts made from other
woods instead.
Localisation
City : Essaouira
GPS : 31°30′48″N 9°46′17″W
The views from the ramparts and the ramparts it self are very good. Its
interesting to find a little out about the history off Essaouira and see
the canons but it isn't very big and doesn't take very long to get
around. It does give you a nice viewpoint in which to see all of the
boats and fishmarket though, and a good view of Mogador Island...or the
island of Mogador if you prefer. Definitely worth a look but don't plan a
whole day around it!
Localisation
City : Essaouira
GPS : 31°30′34″N 9°46′30″W
The Majorelle Garden is a twelve-acre botanical garden and artist's landscape garden in Marrakech. It was designed by the expatriate French artist Jacques Majorelle in the 1920s and 1930s, during the colonial period when Morocco was a protectorate of France.
Majorelle was the son of the Art Nouveau ébéniste of Nancy, Louis Majorelle.
Though Majorelle's gentlemanly orientalist watercolors are largely
forgotten today (many are preserved in the villa's collection), the
gardens he created is his creative masterpiece. The special shade of
bold cobalt blue which he used extensively in the garden and its
buildings is named after him, bleu Majorelle.
The garden hosts more than 15 bird species that are endemic to North
Africa. It has many fountains, and a notable collection of cacti...
Localisation
City : Marrakech
GPS : 31°38′34″N 8°00′11″W
The Bahia Palace is a palace and a set of gardens located in Marrakech.
It was built in the late 19th century, intended to be the greatest
palace of its time. The name means "brilliance". As in other buildings
of the period in other countries, it was intended to capture the essence
of the Islamic and Moroccan style. There is a 2 acre (8,000 m²) garden with rooms opening onto courtyards.
Set up at the end of 19th century by Si Moussa, grand vizier of the
sultan, for his personal use, this palace would bear the name of one of
his wives. Here, the harem, which includes a vast court decorated with a
central basin and surrounded by rooms intended for the concubines. As
the black slave Abu Ahmed rose to power and wealth towards the end of
the 19th century, he had the Bahia palace built by bringing in craftsmen
from Fez.
Localisation
City : Marrakech
GPS : 31°37′17.73″N 7°58′56.03″W
The Menara gardens are gardens located to the west of Marrakech, at the gates of the Atlas mountains. They were built in the 12th century (c. 1130) by the Almohad ruler Abd al-Mu'min.
The name menara derives from the pavillon with its small green pyramid roof (menzeh). The pavilion was built during the 16th century Saadi dynasty and renovated in 1869 by sultan Abderrahmane of Morocco, who used to stay here in summertime.
The pavilion and basin (an artificial lake) are surrounded by orchards and olive groves. The intention of the basin was to irrigate the surrounding gardens and orchards using a sophisticated system of underground channels called a qanat. The basin is supplied with water thanks to an old hydraulic system which conveys water from the mountains located approximately 30km away from the city.
Localisation
City : Marrakech
GPS : 31°36′48″N 8°01′18″W
Jamaa el Fna
is a square and market place in Marrakesh's medina quarter (old city).
It remains the main square of Marrakesh, used by locals and tourists.
The origin of its name is unclear: Jemaa means "congregational mosque" in Arabic, probably referring to a destroyed Almoravid
mosque. "Fanâʼ" or "finâ'" can mean "death" or "a courtyard, space in
front of a building." Thus, one meaning could be "The mosque or assembly
of death," or "The Mosque at the End of the World". A more likely explanation is that it refers to a mosque with a distinctive courtyard or square in front of it.
During the day it is predominantly occupied by orange juice stalls, youths with chained Barbary apes, water sellers in colourful costumes with traditional leather water-bags and brass cups, and snake charmers who will pose for photographs for tourists.
As the day progresses, the entertainment on offer changes: the snake
charmers depart, and late in the day the square becomes more crowded,
with Chleuh dancing-boys (it would be against custom for girls to provide such entertainment), story-tellers (telling their tales in Berber
or Arabic, to an audience of appreciative locals), magicians, and
peddlers of traditional medicines. As darkness falls, the square fills
with dozens of food-stalls as the number of people on the square peaks.
Localisation
City : Marrakech
GPS : 31°37′33″N 7°59′21
As the capital for his newly acquired empire, Idris ibn Abdallah
chose to build a new town on the right bank of the Fes river in 789
a.d. Initially a big proportion of the population were refugees who were
fleeing from an uprising in Cordoba (modern-day Spain) However in 809 a.d. his son, Idris II,
decided to found a capital of his own on the opposite bank of the Fes
River. There were many refugees who decided to settle in the new city
this time too, however this time they fled from an uprising in Kairouan ( in modern Tunisia).
Even though they were only separated by a relatively small river the
cities developed separately and became two individual cities until they
were unified in the 11th century by the Almoravids.
One good example of how the refugees contributed to making Fes flourish during the early years is the University of Al-Karaouine that was built by a Tunisian refugee in 859 AD. It is considered the oldest university in the world.
Under the Almoravids, Fes lost its status as a capital when the Almoravids created Marrakech, which they made their capital.
The Almoravids destroyed large parts of Fes el Bali but managed to
create modern-day Fes el Bali when they united the twin cities by
tearing down that separated them and by building bridges across the Fes
river.
During Almohad
rule, Fes was a thriving merchant city, even though it was not a
capital, and even became the largest city in the world during that time,
with approximately 200,000 people living there.
After defeating the Almoravids in Morocco, the Marinids moved the capital from Marrakech to Fes. This marked the beginning of the greatest period of the history for Fes el Bali.
When the Marinids moved the capital to Fes in 1276 they started
building a new town outside the old city walls. At first it was called
the white city but after a while it got a new name; Fes Jdid, or new Fes. This is when Fes el Bali, or the old Fes, got its name too. Before Fes Jdid was founded it was simply called Fes.
Most of the principal monuments in Fes el Bali were built under Marinid rule. In the 14th century a mellah was added to the urban fabric.
Localisation
City : Fes
GPS : 34°03′47″N 4°58′28″W
is a town in the valley of the Draa River in Souss-Massa-Drâa, southeastern Morocco. It is flanked by the mountain Zagora
from which the town got its name. Originally it was called 'Tazagourt' the singular of plural 'Tizigirt', Berber
for 'twinpeaks', referring to the fortress of the Murabitun, or
Almoravid, people. In old European maps the mountain Zagora is already
indicated but the town itself was only built in the 20th century. On the
top of the Zagora mountain the remains of an Almoravid fortress can still be seen. The exact location of the former Almoravid mosque is still a matter of dispute. Each year the moussem (festival) of the Sufi saint moulay Abdelkader Jilali is celebrated at Zagora. Languages spoken in the city include Moroccan Arabic, Tachelhit and Tamazight. A well known sign at the town border states "Tombouctou 52 days", the supposed time it takes to get to Timbuktu, Mali on foot or camel.
Localisation
City : Ouarzazate
GPS : 30°19′50″N 5°50′17″W
Chefchaouen is situated in the Rif Mountains, just inland from Tangier and Tetouan. The city was founded in 1471, as a small fortress which still exists to this day, by Moulay Ali Ben Moussa Ben Rached El Alami (a descendant of Ibn Machich and Idris I, and through them, of the prophet Muhammad) to fight the Portuguese invasions of northern Morocco. Along with the Ghomara tribes of the region, many Morroccans and Jews settled here after the Spanish Reconquista in medieval times. In 1920, the Spanish seized Chefchaouen to form part of Spanish Morocco. Spanish troops imprisoned Abd el-Krim
in the kasbah from 1916 to 1917, after he talked with the German consul
Dr. Walter Zechlin (1879–1962). (After defeating him with the help of
the French force Abd el-Krim was deported to Réunion in 1926). Spain returned the city after the independence of Morocco in 1956.
Chefchaouen or Chaouen, as it is often called by Moroccans, is a popular tourist destination because of its proximity to Tangier and the Spanish enclave of Ceuta. The name refers to the shape of the mountain tops above the town, that look like the two horns (chaoua) of a goat. "Chef Chaouen"
derives from the Berber word for horns, Ichawen. There are
approximately two hundred hotels catering to the summer influx of
European tourists. One distinction possessed by Chefchaouen is its
blue-rinsed houses and buildings.
Chefchaouen is a popular shopping destination as well, as it offers
many native handicrafts that are not available elsewhere in Morocco,
such as wool garments and woven blankets. The goat cheese native to the
area is also popular with tourists.
Localisation
City : Chefchaouen
GPS : 35°10′17″N 5°16′11″WThe name of the city is taken from the word Fazaz, the old Berber name for the Middle Atlas mountains near the city. The name is also attested as that of a Berber tribe living just south of Fes.
Until the Almoravid rule in the 11th century, Fes consisted of two separate cities or medinas: Madinat Fas and Al-'Aliya, the former being founded by Idris I, the latter by his son, Idris II. During Idrisid rule the capital city was known as Al-'Aliya, with the name Fas being reserved for the separate site on the other side of the river: no Idrisid coins have been found with the name Fes, only al-'Aliya and al-'Aliya Madinat Idris. It is not known whether the name al-'Aliya was ever used to refer to both medinas. It wasn't until 1070 that the two agglomerations were united and the name Fas was used for both sites.
Localisation
City : Fes
GPS : 34°02′06″N 4°59′41″W
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MOROCCO is a country of landscapes, nowhere so close to dreams is so different and so exotic. A moderate Muslim country, morocco has long been on the “Grand Tour” circuit of travellers wishing to expand their knowledge and experience...
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- Assilah
- Tangier
- St Agatha’s Crypt & Catacombs
- Tower Hassan
- Kasbah des Oudayas
- Chellah
- Museum of the Amazigh Culture
- Maison de la Photographie
- Museum of Marrakech
- Mellah
- Batha Museum
- Artisanal School
- Koubbat as-Sufara’
- Grand Socco
- Medina
- Chouwara Tanneries
- Moulay Idriss Zawiya
- Kairaouine Mosque
- Saadian Tombs
- Jewish Cemetery & Habarim Synagogue
- Taourirt Kasbah
- Atlas Film Corporation Studios
- Badi Palace
- Koutoubia Mosque
- Ksar Char-Bagh Hammam
- Maison Tiskiwin
- Mouassine Fountain
- Agadir city
- Île de Mogador
- Medina of Essaouira
- Woodcarving Workshops
- Essaouira Ramparts
- Majorelle Garden
- Bahia palace
- Menara gardens
- Jemaa el Fna
- Ancient Medina of Fes
- Zagora
- Chefchaouen City
- Dades Valley
- Fes City
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